According to J. T. Smith's Antiquities of Westminster (London, 1807, pp.22-23) the busts were bought, from an iron dealer in Belton Street, by Mr Wright who had them repaired by the young sculptor John Flaxman. Washington. London: Her Majesty's Stationary Office, 1964. pp.399-402. Be the first. London: Victoria and Albert Museum, 1996. pp.96-97. Where is it? Access more artwork lots and estimated & realized auction prices on MutualArt. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. St. 092 le vite, pietro torrigiani.jpg 256 × 300; 21 KB. In 1512 the Florentine sculptor Pietro Torrigiano was commisioned to make the tomb of Henry VII and his wife Elizabeth of York in Westminster Abbey. Darr, A.P. Henry VII was the only child of Edmund Tudor, Earl of Richmond (son of Henry V's widow Catherine de Valois and Owen Tudor) and his 13-year old wife Lady Margaret Beaufort (who died in the Abbot of Westminster's house on 29th June 1509, shortly after Henry VIII's coronation, and was buried in the Abbey). The bust was repaired in about 1769 by the English sculptor John Flaxman (1755-1856), then a boy, whose tools were found inside the sculpture. London. Please let us know how you intend to use the images you will be downloading. This tomb can be seen in the Lady Chapel in Westminster Abbey to this day. By Pietro Torrigiano; . Made in London by Pietro Torrigiani (born in Florence, Italy, 1472, died in Seville, Spain, 1528; active in England about 1507-1522/25), Possibly commissioned by John Fisher, Bishop of Rochester (born in Beverley, Yorkshire, 1459, executed in London, 1535), together with his own portrait bust and one of Henry VIII. (880 mm x 510 mm) overall Purchased, 1869 Primary Collection NPG 290 According to an 18th century account it was formerly in Whitehall Palace together with two companion busts of Henry VIII and an ecclesiastic (probably Bishop Fisher) which are now in the Metropolitan Museum, New York. For Henry VII. Distinguishing features: In a murky gallery, there's something uneasy about the lifelike flesh colour, coolly scrutinising eyes, the creased and dimpled skin and thin tight lips of this astonishing simulacrum of a dead man in painted terracotta. Other works attributed from internal evidence to Torrigiano are the tomb of Margaret of Richmond, mother of Henry VII., in the south aisle of … By Pietro Torrigiano (1472-1528) Painted terracotta Henry VIII’s father, Henry VII, seized the throne at the Battle of Bosworth in 1485. Pietro Torrigiano: | | ||| | Sculpture of Saint Jerome in |Museum of Fine Arts... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. Initially it was seen as an image of status and power, but an interest in expressing realism and personality soon developed. Other areas repaired in plaster include the lower part of the ermine cloak over the left shoulder, the front sections of the turned-up cap, and the tip of the nose. Journal Avery, Charles. After this Torrigiano received the commission for the altar, retable and baldacchino which stood at the west, outside the screen of Henry VII's monument. British Galleries: 3. Location: Lady Chapel, Westminster Abbey, London Description: The Lady Chapel was begun in 1503 and constructed at the expense of Henry VII.It is the last great masterpiece of English medieval architecture. In 1509 the Florentine artist Pietro Torrigiano was commissioned to make the tomb of Henry VII and Elizabeth of York. Pietro Torrigiano (24 November 1472 – August 1528) was an Italian sculptor of the Florentine school. They were naturalistically painted, heightening the realism of the portrait, although in many instances the paint was removed by later collectors. The bust was meant to show the King as in life and may have been a test of skill for the Florentine sculptor, Pietro Torrigiani. Please confirm you are using these images within the following terms and conditions, by acknowledging each of the following key points: Maximum 4000 copies, or 5 years digital use, No book jacket, or homepage lead image use, Images must be credited © Victoria and Albert Museum, London. Trust was being revived and the War of the Roses was something that was slowly being forgotten about as England moved to work on forming issues and find a balance in the new dynasty that was created by King Henry VII. ( 24 November 1472 – July/August 1528 ) was an Italian sculptor has adapted style. 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